Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Jean de Beaumetz
The Crucifixion with a Carthusian Monk

ID: 19979

Jean de Beaumetz The Crucifixion with a Carthusian Monk
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Jean de Beaumetz The Crucifixion with a Carthusian Monk


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Jean de Beaumetz

Artois,active from 1361-Dijon 1396  Related Paintings of Jean de Beaumetz :. | Deutsch: Der Hoffart sitzt der Bettel auf der Schleppe | Sheep 114 | A Lady and Gentleman Taking Coffee with Children in a Garden | I.K.H. Erzherzogin Maria Elisabeth | Trappers Saluting the Rocky Mountains |
Related Artists:
Virgilio Mauricio
painted A hora do prazer in 1914 1892-1937
PIOLA, Domenico
Italian Baroque Era Painter, 1627-1703 was a Genoese painter of the Baroque period. His family studio was highly prolific. He apprenticed with his family, including his elder brother, Pellegro Piola, as well as with Domenico Fiasella. Other members of the Piola family, who were artists included Domenico's brother, Giovanni Andrea and his three sons Paolo Gerolamo, Anton Maria, and Giovanni Battista; his two sons-in-law, Gregorio de Ferrari and Domenico Parodi; and his brother-in-law Stefano Camogli. The large family studio, called Casa Piola excelled in both quadratura fresco decoration and canvases. Generations of artists, down to the 20th century, descended from the line of Piola-De Ferrari, including Giovanni Maria De Simoni, who died in 1913 in the original residence of Domenico's family. Domenico was also a well-known printmaker and draughtsman.
Jacopo Chimenti
(30 April 1551 - 30 September 1640) was an Italian late-mannerist painter. Born in Florence as Jacopo Chimenti (Empoli being the birth place of his father), he worked mostly in his native city. He apprenticed under Maso da San Friano. Like his contemporary in Counter-Maniera (Counter-Mannerism), Santi di Tito, he moved into a style often more crisp, less contorted, and less crowded than mannerist predecessors like Vasari. He collaborated with Alessandro Tiarini in some projects. Among his pupils were Felice Ficherelli, Giovanni Battista Brazze (Il Bigio), Giovanni Battista Vanni, and Virgilio Zaballi. In later years, the naturalism becomes less evident. The porcelain features of his figures accentuated the academic classical trends that restrained Florentine painting during the Baroque period.






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